1. The end of exhibitions. Instead: demonstration rooms for total works.
2. An international exchange of ideas concerning creative problems.
3. The development of a universal means of creation for all arts.
4. An end to the division between art and life. (Art becomes life.)
5. An end to the division between artist and man.
Originally published in De Stijl
vol. 5 | no 4. | pp.62
April 1 1922 | Rotterdam